P70R1U blog Carracci, Annibale
blog Monday, January 17, 2011
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Annibale Carracci (Bologna, November 3, 1560-Rome, July 15, 1609) was an Italian painter and engraver of Roman-Bolognese classicism. It is the most famous saga Carracci. It has been considered the rival of Caravaggio, as embodied an artistic choice opposite of that.
Bologna In early 1580, his brother Agostino Carracci with the cousin of both, Ludovico Carracci, opened the academy painters Desiderosi (Desirous of fame and learning), later called the Academy of Incamminati (Progressive) and finally the School of the Eclectics. The main objective of the three Carracci was to renew the paint, they understood that had degenerated during the Mannerist and were also threatened by the naturalism of Caravaggio, which some dubbed "Antichrist of art."
The Carracci placed special emphasis on drawing, compared to designs without a previous sketch, apparently careless of Caravaggio. His style is, between the emphasis on solid forms, hard, typical of Florentine artists including Michelangelo, and the Venetian attention to the use of rich color and very nuanced, atmospheric effects. These qualities combined are thereafter associated with the artists of the Bolognese school, including the most prominent followers of the Carracci, Domenichino and Reni. However, in later centuries deep-rooted prejudice that mimicked a classical conservative Carracci opposed to Titian.
Cupid with Venus and Adonis discovered by Annibale Carracci (1595), Museo del Prado, Madrid. [1] It is difficult to distinguish the individual contributions of each Carracci in many early works, including paintings in the Palazzo Fava in Bologna (c.1583-84), where they worked together until 1595, when Annibale, now best known, was summoned to Rome by Cardinal Odoardo Farnese to decorate the gallery in the Palazzo Farnese (now the French Embassy), his masterpiece. For the job requested the help of his brother Agostino Carracci, who withdrew because of disagreements soon. Some secondary parts were executed by Francesco Albani and someone else. Annibale
fell into a depression by 1600, said that because his frescoes in the Palazzo Farnese you were underpaid and coolly estimates. Later suffered paralysis in one arm and had to rely on assistants for their orders. In those years are dated his murals in the church of Santiago, the English, in Rome, was completed by assistants. These murals were ripped from the walls when the church was sold, and kept in medium conditions in the MNAC in Barcelona and the Museo del Prado in Madrid. Annibale Carracci
has a significant presence in Spain. The Museo del Prado has the famous Venus and Adonis box, recently restored and now considered the best preserved in Vienna. They also emphasize the Assumption of the Virgin and a Landscape with bathers.
As Ludovico and Agostino, Annibale worked engraving, which was uncommon among Italian painters of the first line, which used to rely on professional writers to spread their designs in prints. In its apogee is known as etching Caprarola's Pieta (1597), then repeated by Agostino. In his later years, when he could not paint great works are two pictures: The Virgin of the bowl and Christ crowned with thorns, both from 1606.
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