Frame 60:
"Textures"
Capture textures. It is satisfying when you catch in magnitude and permeate through the image the feeling of almost be touching what you see. An exercise to clearly exciting to the eye, it manages to catch a few seconds managed to fool so fleeting.
A macro lens is the ideal tool for those who we like to look at details that go unnoticed to the naked eye. A coin, a ticket, a flower ... all those micro world that surrounds us, but for not having the optical capacity to appreciate and time to seek how we overlook.
Lighting also plays a role in this exercise. Depending on where you locate it, will allow us to enhance certain characteristics of the target, making it more or less wealth tectonics. It's like that battered image of the face on the flashlight in a fire ... that produce sensations consistent with the stories told, highlights the hardest aspects of the subject ... making it look more scary.
An overhead light, however, changes things. Highlights the leftovers in the eyes, sunken and giving us a flat texture. Side lighting up those eye wrinkles that are not ... this is where it seems to make sense ... at least for me.
is incredible to think that just changing the light source can completely change the meaning of a photograph and surrender the infinite pleasure of watching the roughness or smoothness of a surface, but we can not touch it, but I feel it.
A macro lens is the ideal tool for those who we like to look at details that go unnoticed to the naked eye. A coin, a ticket, a flower ... all those micro world that surrounds us, but for not having the optical capacity to appreciate and time to seek how we overlook.
Lighting also plays a role in this exercise. Depending on where you locate it, will allow us to enhance certain characteristics of the target, making it more or less wealth tectonics. It's like that battered image of the face on the flashlight in a fire ... that produce sensations consistent with the stories told, highlights the hardest aspects of the subject ... making it look more scary.
An overhead light, however, changes things. Highlights the leftovers in the eyes, sunken and giving us a flat texture. Side lighting up those eye wrinkles that are not ... this is where it seems to make sense ... at least for me.
is incredible to think that just changing the light source can completely change the meaning of a photograph and surrender the infinite pleasure of watching the roughness or smoothness of a surface, but we can not touch it, but I feel it.
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